Vergil's
Aeneid is the epic story of how the
defeated Trojan refugees, escaping from their ruined city,
followed Aeneas through many adventures until they finally
reached Italy and founded a new civilization. Vergil re-worked
the Homeric tradition into a new Roman epic, taking the Odyssey
and adapting it to the wanderings of Aeneas all over
the Mediterranean, and then taking the Iliad and
adapting it to the war that Aeneas wages in Italy in order
to establish his new city. In the selections chosen for this
week, Aeneas has just landed on the shores of Libya and has
been taken in by the queen of Carthage, Dido. At a feast that
Dido organizes in his honor, Aeneas tells the story of the
fall of Troy (including the story of the Trojan horse), and
his flight from the city - including his encounters with the
monstrous flying harpies and even the very same Cyclops, Polyphemus,
that Odysseus had met on his way home from the war in Troy.
Here are some quotes:
See, in dream, before my eyes, Hector seemed to stand
there, saddest of all and pouring out great tears, torn by
the chariot, as once he was, black with bloody dust, and his
swollen feet pierced by the thongs. Ah, how he looked! How
changed he was from that Hector who returned wearing Achilles's
armour, or who set Trojan flames to the Greek ships! His beard
was ragged, his hair matted with blood, bearing those many
wounds he received dragged around the walls of his city.
... he dragged Priam, trembling, and slithering in
the pool of his son's blood, to the very altar, and twined
his left hand in his hair, raised the glittering sword in
his right, and buried it to the hilt in his side. This was
the end of Priam's life: this was the death that fell to
him by lot, seeing Troy ablaze and its citadel toppled,
he who was once the magnificent ruler of so many Asian lands
and peoples. A once mighty body lies on the shore, the head
shorn from its shoulders, a corpse without a name.
...we saw the shepherd Polyphemus himself, moving his
mountainous bulk on the hillside among the flocks, and heading
for the familiar shore, a fearful monster, vast and shapeless,
robbed of the light. A lopped pine-trunk in his hand steadied
and guided his steps: his fleecy sheep accompanied him: his
sole delight and the solace for his evils. As soon as he came
to the sea and reached the deep water, he washed away the
blood oozing from the gouged eye-socket, groaning and gnashing
his teeth. |
Ovid's
Metamorphoses is one of the most important
sources for the mythology of ancient Greece - and Ovid was
one of the most versatile and talented poets of the Roman
tradition. The word "metamorphoses" means "transformations",
and the unifying theme of these myths is some kind of transformation:
Tereus is turned into a hoopoe, Baucis is turned into a
tree, and so on. You will probably be familiar with some
of the stories included in this selection, such as the
story of Narcissus who fell in love with his own reflection,
or Pygmalion who fell in love with a statue. Other stories
will probably be new to you, such as the Greek myth about
the flood that almost wiped out human life completely,
or the story of Myrrha who fell in love with her own father.
Ovid wrote the Metamorphoses in verse form, but the English
translation here is in prose, making it easier to read than
the translation of Vergil's Aeneid. (So please choose Ovid
this week if you want to read something that is easier to
follow.)
Here are some quotes:
Even as his mouth was crying his father’s name,
it vanished into the dark blue sea, the Icarian Sea, called
after him. The unhappy father, now no longer a father, shouted
‘Icarus, Icarus where are you? Which way should I be
looking, to see you?’ ‘Icarus’ he called
again. Then he caught sight of the feathers on the waves...
Procne, with an unchanging expression, struck Itys
with a knife, in the side close to the heart, while he stretched
out his hands, knowing his fate at the last, crying out
'Mother! Mother!', and reaching out for her neck. That one
wound was probably enough to seal his fate, but Philomela
opened his throat with the knife. While the limbs were still
warm, and retained some life, they tore them to pieces.
Part bubble in bronze cauldrons, part hiss on the spit:
and the distant rooms drip with grease.
'Everything changes, nothing dies: the spirit wanders,
arriving here or there, and occupying whatever body it pleases,
passing from a wild beast into a human being, from our body
into a beast, but is never destroyed. As pliable wax, stamped
with new designs, is no longer what it was; does not keep
the same form; but is still one and the same; I teach that
the soul is always the same, but migrates into different forms.
So, I say as a seer, cease to make kindred spirits homeless,
by wicked slaughter: do not let blood be nourished by blood!'
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